fomus-devel

fomus-devel@common-lisp.net

100 discussions

[fomus-devel] Good day.
by info＠bank-ghana.org 03 May '08

03 May '08

ATTN: MY NAME IS MR.ADAMS SMITH, THE MANAGER CREDIT AND FOREIGN BILLS OF BANK OF GHANA, ACCRA. I AM WRITING IN RESPECT OF A FOREIGN CUSTOMER OF MY BANK WITH ACCOUNT NUMBER 14-255-2004/utb/t WHO DIED IN A PLANE CRASH [ETHIOPIAN AIRLINE 961] WITH OTHER PASSENGERS ABOARD. SINCE THE DEATH OF THIS CUSTOMER I PERSONALLY HAVE WATCHED WITH KEEN INTEREST TO SEE THE NEXT OF KIN BUT ALL HAS PROVED ABORTIVE AS NO ONE HAS COME TO CLAIM HIS FUNDS OF USD15.5 M, [FIFTEEN MILLION FIVE HUNDRED THOUSAND UNITED STATES DOLLARS] HAS BEEN WITH MY BANK FOR A VERY LONG TIME. ON THIS NOTE I DECIDED TO SEEK FOR WHOM HIS NAME SHALL BE USED AS THE NEXT OF KIN AS NO ONE HAS COME UP TO BE THE NEXT OF KIN, AND THE BANKING ETHICS HERE DOES NOT ALLOW SUCH MONEY TO STAY MORE THAN FOUR YEARS, BECUASE AFTER FOUR YEARS THE ACCOUNT WILL BE DECLARED DORMANT AND THE MONEY FORFEITED TO THE BANK. IN VIEW OF THIS, I DECIDED TO CONTACT YOU TO ACT AS THE NEXT OF KIN. THE REQUEST OF A FOREIGNER AS NEXT OF KIN IN THIS BUSINESS IS OCCASIONED BY THE FACT THAT THE CUSTOMER WAS A FOREIGNER. I AGREED THAT 30% OF THIS MONEY WILL BE FOR YOU AS A FOREIGN PARTNER IN RESPECT OF PROVIDING AN ACCOUNT, WHILE THE REST WILL BE FOR ME. THEREAFTER I WILL VISIT YOUR COUNTRY FOR DISBURSEMENT . THEREFORE TO FACILITATE THE IMMEDIATE TRANSFER OF THIS FUND TO YOUR ACCOUNT AS ARRANGED, YOU MUST APPLY FIRST TO THE BANK AS A RELATION TO THE DECEASED INDICATING YOUR BANK NAME, YOUR BANK ACCOUNT NUMBER, YOUR PRIVATE TELEPHONE NUMBER, AND FAX NUMBER FOR EASY COMMUNICATION AND LOCATION WHERE THE MONEY WILL BE REMITTED. UPON THE RECEIPT OF YOUR REPLY, I WILL SEND YOU BY FAX OR E-MAIL THE APPLICATION AND THE NEXT STEP TO TAKE. I WILL NOT FAIL TO BRING TO YOUR NOTICE THAT THIS BUSINESS IS HITCH FREE AND THAT YOU SHOULD NOT ENTERTAIN ANY FEAR AS THE WHOLE REQUIRED ARRANGEMENT HAS BEEN MADE FOR THE TRANSFER. YOU SHOULD CONTACT ME IMMEDIATELY AS SOON AS YOU RECEIVE THIS LETTER. TRUSTING TO HEAR FROM YOU. YOURS RESPECTFULLY, MR ADAMS SMITH +233244506074

1 0

[fomus-devel] Greetings from Roger J. Garang,
by Roger＠common-lisp.net 01 May '08

01 May '08

Greetings from Roger J. Garang, Due to security reasons and the kind of place I am in BENIN REPUBLIC at themoment, I have to contact you in this manner with apology. I am Roger J. Garang, Son of late Dr. General John Garang the former rebel leader of Sudan who letter became the vice president of Sudan,before he was killed by a planned deal through a plane crash, which took place on Monday August 1st, 2005 in mountains located in southern Sudan. http://news.bbc.co.uk/2/hi/in_pictures/4735725.stm He was buried on Saturday August 6th, 2005. http://news.bbc.co.uk/2/hi/africa/4126370.stm After the death of my mother Mrs. Rebecca Garang on the 15th December 2005, the president of Sudan placed embargo on my late father's assets during his speech on January 2nd, 2006, which made me to flee from my country through road to another country where the United Nations granted me refugee under political asylum camp in Republic of BENIN Meanwhile, I am currently seeking to invest in small and large business enterprises in your country under partnership but I am preferred to deal directly with legitimate owners who can be able to handle my project rather than brokers or middlemen. Therefore, I would like to request full contact details where I can reach the Chief Executive Officer of your organization to enable us discuss further details on this project. However, I have a stake of USD$107,000.000.00 One hundred and fifty-Seven Million Dollars available for investment. So I would be honored if this is treated with Utmost Urgency and do not fail to include your direct telephone number for me to reach you easily for more imformation regarding this project. You can contact me only on my altanative email address (garangroger(a)yahoo.it) where i can be reach any time in the asylum camp. Sincerely Yours, Roger Garang, (On behalf of the Family)

1 0

[fomus-devel] text but not markup?
by padovani 05 Oct '07

05 Oct '07

Is it possible to include a lilypond text throught fomus that isn't intialized by th "^" symbol? I.e.: "_" or also another types of texts like "/tempo"... I'm trying to do it throught format function but I'm not geting it... the example would clarify better what I'm trying to make... tx for any help (fomus :output '(:lilypond :view t) :LILYPOND-TEXTTEMPO-MARKUP (concatenate 'string (format nil "~A" #\backspace) " \\tempo ~A") :ensemble-type :orchestra :parts (list (make-part :name "Piano" :instr :piano :events (loop for off from 0 to 10 by 1/2 collect (make-note :off off :dur (if (< off 10) 1/2 1) :note (+ 48 (random 25)) :marks (if (= off 7) '((:TEXTTEMPO "8.=120"))))))))

2 1

Re: [fomus-devel] Re: :staff
by dpsenick＠uiuc.edu 27 Jun '07

27 Jun '07

I have a fix in the dev. branch now--once I get a change to test it a bit more I'll wrap up another tarball ---- Original message ---- >Date: Wed, 20 Jun 2007 14:58:41 +0000 >From: rob canning <robcanning(a)eircom.net> >Subject: Re: [fomus-devel] Re: :staff >To: dpsenick(a)uiuc.edu >Cc: fomus-devel(a)common-lisp.net > >hi david, >this example using :staff doesn't seem to work as i think it should... >it seems that it doesn't obey the :staff mark unless there is nothing >going on at the same offset time - at the last note for example. i have >even tried putting the parts in different voices but they still seem to >interfere with one another. >thanks >rob > > >(init :output ((:musicxml-finale :filename "test.xml")(:lilypond :view >t)) :filename "test" :title "test" :subtitle >"for-harpsichord-and-prepared-piano" >:composer "rob canning" :auto-accidentals NIL :auto-cautionary-accs >t :tuplet-style :ratio :verbose 2 :max-tuplet 11); >TIMESIG :OFF 0 :TIME (4 4); >part 1 :name "harpsichord" :abbrev "harpsichord" :instr :harpsichord >; >(note 1 :voice 2 :off 0 :dur 0.25 :notes (84) :marks (:staccato :ppp >(:staff 2))); >(note 1 :voice 1 :off 0 :dur 0.5 :notes (81) :marks (:staccato :ppp >(:staff 1))); >(note 1 :voice 2 :off 0.25 :dur 0.25 :notes (85) :marks (:staccato >:ppp (:staff 2))); >(note 1 :voice 1 :off 0.5 :dur 0.25 :notes (83) :marks (:staccato :ppp >(:staff 1))); >(note 1 :voice 2 :off 0.5 :dur 0.25 :notes (86) :marks (:staccato :ppp >(:staff 2))); >(note 1 :voice 1 :off 0.75 :dur 0.25 :notes (84) :marks (:staccato >:ppp (:staff 1))); >(note 1 :voice 2 :off 0.75 :dur 0.25 :notes (87) :marks (:staccato >:ppp (:staff 2))); >(note 1 :voice 1 :off 1 :dur 0.25 :notes (86) :marks (:staccato :ppp >(:staff 1))); >(note 1 :voice 2 :off 1 :dur 0.25 :notes (88) :marks (:staccato :ppp >(:staff 2))); >(note 1 :voice 1 :off 1.25 :dur 0.25 :notes (89) :marks (:staccato >:ppp (:staff 1))); >(note 1 :voice 2 :off 1.25 :dur 0.25 :notes (89) :marks (:staccato >:ppp (:staff 2))); >(note 1 :voice 1 :off 1.5 :dur 0.25 :notes (80) :marks (:staccato :ppp >(:staff 1))); >(note 1 :voice 2 :off 1.5 :dur 0.25 :notes (90) :marks (:staccato :ppp >(:staff 2))); >(note 1 :voice 1 :off 1.75 :dur 0.25 :notes (81) :marks (:staccato >:ppp (:staff 1))); >(note 1 :voice 2 :off 1.75 :dur 0.25 :notes (91) :marks (:staccato >:ppp (:staff 2))); >(note 1 :voice 1 :off 2 :dur 0.25 :notes (83) :marks (:staccato :ppp >(:staff 1))); > > >dpsenick(a)uiuc.edu wrote: >> Rob, >> >> The lisp documentation won't be helpful at all unless you work with lisp-- lisp >> has a built in function "describe" that calls up brief documentation strings for >> functions if they exist >> >> You can force the staff using a :STAFF mark (like this: (:staff 1) or (:staff 2) >> --you should also be able to specify a choice (:staff 1 2) (:staff 2 3) (maybe >> useful for notating a piano part onto 3 staves, etc..) Soon it'll get easier as I put >> some of these things into parts and instruments--right now you have to stick it >> in every note or put (:startstaff- 1) in the very first note >> >> I'll put more examples up soon (plus organize the ones that are there now) The >> examples pages will soon evolve into an indexed list with keywords (click on >> "staves" and see three or four examples of how to control staves, etc..) >> >> Since I'm (slowly) getting in the last of the main feature I originally wanted to >> put in, I'd be curious to know what I should start improving in general (besides >> documentation)... Here is my list in more or less order of priority: >> >> Finishing up: >> Polymeters (I'm getting to this now...) >> "Chunks" (should be working now--can use them to output different sections of >> the score with completely different settings) >> >> Improvements: >> tuplets (finding, notating correctly, etc.) >> speed (large orchestra-size score still can take a while, especially if the notation >> is complex--I've thought of porting the whole program but I don't think it's >> worth the effort) >> >> Additions: >> FOMUS as a Finale plugin (as an alternative to XML importing) >> GUI interface showing updated score samples >> structures such as "chord," "sequence" or other similar structures that will make >> it easier to specify information more efficiently >> >> -David >> >> >> >> >> >> >> ---- Original message ---- >> >>> Date: Tue, 19 Jun 2007 17:25:45 +0000 >>> From: rob canning <robcanning(a)eircom.net> >>> Subject: :staff >>> To: David Psenicka <dpsenick(a)uiuc.edu> >>> Cc: fomus-devel(a)common-lisp.net >>> >>> hi! >>> >>> i can't figure out how to get at the lisp documentation (i never use >>> lisp directly) >>> >>> could someone help me out with an example... >>> >>> how to force the low A appearing in the lower staff to appear in the >>> upper staff with the relevant clef change >>> >>> part 1 :name "harpsichord" :abbrev "harpsichord" :instr :harpsichord; >>> >>> (note 1 :voice 2 :off 0 :dur 0.25 :notes (45) :marks (:staccato :ppp)); >>> (note 1 :voice 2 :off 0.5 :dur 0.25 :notes (86) :marks (:staccato)); >>> >>> can this be done as a :mark or does it have to be set as an :init default >>> >>> it would nice to see an example of a bar of single line cross stave >>> writing followed by a bar of two part :staff forced writing with both >>> staffs exploiting both bass and treble clef >>> >>> thanks >>> >>> rob >>> >>> >>> >>> >>> David Psenicka wrote: >>> >>>> v0.2.26 >>>> Improvements to spanners >>>> Some documentation that can be called up by the Lisp DOCUMENTATION >>>> function >>>> :STAFF, :STARTSTAFF-, :STAFF-, :ENDSTAFF- marks to override staff >>>> choices >>>> _______________________________________________ >>>> fomus-devel mailing list >>>> fomus-devel(a)common-lisp.net >>>> http://common-lisp.net/cgi-bin/mailman/listinfo/fomus-devel >>>> >>>> >>>> >>>> >> _______________________________________________ >> fomus-devel mailing list >> fomus-devel(a)common-lisp.net >> http://common-lisp.net/cgi-bin/mailman/listinfo/fomus-devel >> >> >> >

2 3

[fomus-devel] Re: :staff
by dpsenick＠uiuc.edu 20 Jun '07

20 Jun '07

Rob, The lisp documentation won't be helpful at all unless you work with lisp--lisp has a built in function "describe" that calls up brief documentation strings for functions if they exist You can force the staff using a :STAFF mark (like this: (:staff 1) or (:staff 2) --you should also be able to specify a choice (:staff 1 2) (:staff 2 3) (maybe useful for notating a piano part onto 3 staves, etc..) Soon it'll get easier as I put some of these things into parts and instruments--right now you have to stick it in every note or put (:startstaff- 1) in the very first note I'll put more examples up soon (plus organize the ones that are there now) The examples pages will soon evolve into an indexed list with keywords (click on "staves" and see three or four examples of how to control staves, etc..) Since I'm (slowly) getting in the last of the main feature I originally wanted to put in, I'd be curious to know what I should start improving in general (besides documentation)... Here is my list in more or less order of priority: Finishing up: Polymeters (I'm getting to this now...) "Chunks" (should be working now--can use them to output different sections of the score with completely different settings) Improvements: tuplets (finding, notating correctly, etc.) speed (large orchestra-size score still can take a while, especially if the notation is complex--I've thought of porting the whole program but I don't think it's worth the effort) Additions: FOMUS as a Finale plugin (as an alternative to XML importing) GUI interface showing updated score samples structures such as "chord," "sequence" or other similar structures that will make it easier to specify information more efficiently -David ---- Original message ---- >Date: Tue, 19 Jun 2007 17:25:45 +0000 >From: rob canning <robcanning(a)eircom.net> >Subject: :staff >To: David Psenicka <dpsenick(a)uiuc.edu> >Cc: fomus-devel(a)common-lisp.net > >hi! > >i can't figure out how to get at the lisp documentation (i never use >lisp directly) > >could someone help me out with an example... > >how to force the low A appearing in the lower staff to appear in the >upper staff with the relevant clef change > >part 1 :name "harpsichord" :abbrev "harpsichord" :instr :harpsichord; > >(note 1 :voice 2 :off 0 :dur 0.25 :notes (45) :marks (:staccato :ppp)); >(note 1 :voice 2 :off 0.5 :dur 0.25 :notes (86) :marks (:staccato)); > >can this be done as a :mark or does it have to be set as an :init default > >it would nice to see an example of a bar of single line cross stave >writing followed by a bar of two part :staff forced writing with both >staffs exploiting both bass and treble clef > >thanks > >rob > > > > >David Psenicka wrote: >> v0.2.26 >> Improvements to spanners >> Some documentation that can be called up by the Lisp DOCUMENTATION >> function >> :STAFF, :STARTSTAFF-, :STAFF-, :ENDSTAFF- marks to override staff >> choices >> _______________________________________________ >> fomus-devel mailing list >> fomus-devel(a)common-lisp.net >> http://common-lisp.net/cgi-bin/mailman/listinfo/fomus-devel >> >> >> >

2 1

[fomus-devel] :harpsichord
by rob canning 19 Jun '07

19 Jun '07

hi i am writing a piece for a harpsichord with two manuals part 1 :name "harpsichord" :abbrev "hpschd." :instr :harpsichord; what is the best way to do this - atm i am sending :voice 1 and :voice 2 to send the two different parts to the two different manuals both manuals start in bass clef and both climb in to treble clef - the problem is the bottom stave stays in bass clef and the music jumps into the manual 1 part. i would like to be able to switch between single line cross-stave writing and two part writing. so to summarise... i want to lock voice two to stave two of :harpsichord and have it so it changes into treble clef where necessary. anyone know how to do this? thanks rob once again... many thanks for fomus i am finding it incredibly useful :) very soon i hope to become very prolific ;)

2 5

[fomus-devel] ratio tuplets in lilypond v. > 2.8
by andersvi＠extern.uio.no 11 Apr '07

11 Apr '07

Seems lilypond changed its way of specifying fractional tuplet-numbers after v.2.8. Heres a diff to fomus' lilypond-backend to suite: cd /div/notam02/site/localdomain/cm-sys/fomus/ diff -c /div/notam02/site/localdomain/cm-sys/fomus/backend_ly.lisp\~ /div/notam02/site/localdomain/cm-sys/fomus/backend_ly.lisp *** /div/notam02/site/localdomain/cm-sys/fomus/backend_ly.lisp~ 2007-03-26 14:40:05.000000000 +0200 --- /div/notam02/site/localdomain/cm-sys/fomus/backend_ly.lisp 2007-04-10 12:44:48.000000000 +0200 *************** *** 289,295 **** (loop for s from 1 to ns do (format f " \\change Staff = ~A \\override Staff.TimeSignature #'style = #'()~%" (code-char (+ 64 s)))) (format f " \\override Staff.TimeSignature #'style = #'()~%"))) ! (when (eq *tuplet-style* :ratio) (format f " \\set tupletNumberFormatFunction = #fraction-tuplet-formatter~%")) (format f " \\autoBeamOff~%") (if *acc-throughout-meas* (format f " #(set-accidental-style 'default)~%") --- 289,297 ---- (loop for s from 1 to ns do (format f " \\change Staff = ~A \\override Staff.TimeSignature #'style = #'()~%" (code-char (+ 64 s)))) (format f " \\override Staff.TimeSignature #'style = #'()~%"))) ! (when (eq *tuplet-style* :ratio) (format f " \\override TupletNumber #'text = #tuplet-number::calc-fraction-text~%")) ! ! (format f " \\autoBeamOff~%") (if *acc-throughout-meas* (format f " #(set-accidental-style 'default)~%") Diff finished at Tue Apr 10 12:45:04

2 1

[fomus-devel] n-tuplets
by andersvi＠extern.uio.no 09 Apr '07

09 Apr '07

Hello, im just starting to look at this very interesting tool, and trying some simple cases to get going. First issue is how to control tuplets. Fex, how can i make fomus "simplify" a 5/8 measure with 6 sixtuplets as one group of six notes with a "6:5" (or "6") subdivision mark, instead of a sequence of tied trioles? (fomus :output '(:data (:lilypond :view t)) :global (list (make-timesig :off 0 :time '(5 8) :beat 1/8)) :parts (list (make-part :instr :flute :events (loop repeat 6 for off from 0 by 5/6 collect (make-note :off off :note 60 :dur 5/6))))) Ive tried fiddling with various settings, :default-tuplet-divs and :default-tuplets, :auto-quantize and such without luck.

4 7

[fomus-devel] :textnote relative to measure position in finale via xml
by rob canning 04 Apr '07

04 Apr '07

hi again this may be the fault of music xml rather than fomus but FYI: :textnote marks when imported into finale via xml are relative to measure position rather than attached to the note (as an articulation would be) - so once you start doing things like inserting bars, the text markings get out of alignment with the note heads cheers rob

3 3

[fomus-devel] v0-2-24
by David Psenicka 04 Apr '07

04 Apr '07

v0.2.24 Fixed tuplet note values when they span an irregular number of beats (6:5, 8:7, etc.)

1 0

← Newer
1
2
3
4
5
6
7
8
9
10
Older →

2024

2023

2022

2021

2020

2019

2018

2017

2016

2015

2014

2013

2012

2011

2010

2009

2008

2007

2006

2005

fomus-devel